Category Archives: Tropical Exposures

Red-Crested Cardinal

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A longtime friend mentioned recently he liked what I’ve been doing with my digital art renderings, but he REALLY liked the crisp colorful bird and flower shots. Subtle! I can take a hint.

Knowing that I’ll be spending some time in the Amazon in the spring, I have also been thinking about birds. It occurred to me that maybe I should practice up beforehand. With birds, you don’t often have much time to get it together exposure wise and all.  Always be prepared.

So there I was, sitting on a third floor balcony at Honokeana Cove on Maui, overlooking the ocean, drinking something sinful, waiting for whales and surfers to show themselves, when a feisty Red-Crested Cardinal made a cameo appearance. What to do?

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If only I could get so lucky in the Amazon!

Not to be confused with the Yellow-Billed Cardinal found on the Big Island, the Red-Crested Cardinal is slightly larger, a bit brighter, carries a crest on his noggin and is not found on the Big Island. In my mind, the Red-Crested Cardinal is an upgrade to the Yellow-Billed Cardinal, but neither one can hold a candle to the Northern Cardinal which, by the way, has been waking me up every morning calling out to hook up with a female.  Spring has sprung.

Get one room already brah and let me go back to sleep!

Also posted in Birds, Hawaii, Photography by Douglas Walch

Lighting Storm over Maunakea

Lighting Storm Over MaunakeaAfter our recent Kama’āina Observatory Experience on Muanakea, I was inspired to visit the Canada-France-Hawaii Telescope (CFTT) website where I discovered their wonderful work with time-lapse movies.

With permission from CFHT, “Lighting Storm Over Muanakea” is a “derivative” work from the Time-lapse Cloud Camera mounted to the catwalk of CFHT. The digital rendering is a composite of three separate individual frames selected from a 1 minute, 56 second MPEG4 clip with a final layer of my impressionistic interpretation.

 CFHT’s Cloud Camera is an experimental high sensitivity camera which takes pictures every 30 seconds and compiles time-lapse movies from those pictures.
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More information about CFHT, their work, their Cloudcam and some wondrous time-lapse movies can be found here.

Also posted in Astronomy, Hawaii, Impressionisms of Hawaii, Landscapes, Photography by Douglas Walch

Kama‘āina Observatory Experience

After four months of trying, we were lucky enough to get seats on the January 2017 Kama‘āina Observatory Experience which is offered by the Maunakea Observatories and ‘Imiloa Astronomy Center. Sign-up for the monthly tour is done online and fills up in 30 seconds. Additionally, you have to be Kama‘āina (Hawaiian resident) to sign up.

Introduced in October 2015 during a speech by President Barack Obama at the White House Astronomy Night in Washington, D.C. The Kama‘āina Observatory Experience starts at the Maunakea Visitor Information Station at 9,200 feet where you spend the 2.5 hours getting acclimated. During this time you are treated to a wonderful orientation and lunch. Because of the elevation and dry air, hydration is key to a good experience and it is highly recommended that you drink 500 mls of water per hour.  This, over the course of 4.5 hours is a lot and I was well aware of where the restrooms were along the way.

The terrain at the summit on Mauna Kea (or Maunakea) can best be described as “Other Worldly.” And the view is breath taking. But at 13,803 feet, where there is 40% less oxygen than at sea level, you cannot take breathing for granted. Even with the acclimation and hydration I found myself feeling like I had two too many Manhattans, which I’m told is common. The good news is that I now know what to expect for our spring trip to Cusco, Peru which is at 11,152’ and Machu Picchu at 7,972’.

When we arrived at the summit our group was split in half and each group was treated to a tour of the Canada-France-Hawaii-Telescope and the Gemini Observatory. At both observatories, we toured both the control rooms and the observatory domes. In a word, AWESOME!
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“Mauna Kea Ko Kāpou Pili’ana Iō Ke Ao Holo’oko’a”

Maunakea is our connection to the Universe – Naea Stevens

Also posted in Hawaii, Landscapes, Photography by Douglas Walch

Cabana Boy and the Golden Paddle

Sitting on the veranda of the Daylight Mind Coffee Company, nursing his double short latte, Cabana Boy had to read the email from Kialoa Paddles one more time. It had been over a week since he had sent Kialoa one of the images he had recently captured of a Kialoa paddle with his GoPro.  Now, there it was, their reply, looking crisp and clear on his cell phone screen.

“Aloha Mr. Boy. I brought up your name and website in our Marketing meeting yesterday.  Thank you for sending along your wonderful paddle photo — if you have any others we can see, that would be great. I am not sure of our ‘need’ at the moment, however, we are very interested in keeping lines of communication open. Beautiful work.

 Sincerely, Carrie Allan, Marketing Manager.”

The same day he had sent his photo to Kialoa, he also posted the image to Nat Geo’s My Shot blog, GoPro’s Photo Upload offering and his own Tropical Exposures blog. The general consensus from viewers was more than flattering. One person wrote, “That’s very nice.  It conveys power, but at the same time a sort of softness, the softness of the water.  And a dynamic complexity, as the eye follows the vortex from its source at the edge of the paddle upwards, expanding and dissipating.  Yeah, I think I could look at that for quite a while. Wonderful!”

But when people asked how he had managed to capture such an unusual image, he could only shrug and simply say, “trade secret.” Cabana Boy smiled as he read the email one last time reflecting on what really had happened. “OMG, if they only knew…”

Two canoes had left the Kamakahonu beach around 6:15 on a beautiful Saturday morning. Cabana Boy was steering the Laulani (Heavenly Leaf) and Jo Mahjong was steering the Nalu Kai (Sea Wave). Cabana Boy was pleased his crew were all good paddlers because there was a three foot swell rolling in and breaking at the narrow mouth of the harbor. Getting out of the harbor was going to be tricky.

One-up Jerry was stroking, sitting in seat one. Chatty Kathy was in seat two, Way-To-Go Walt was in seat three calling out the “Huts.” Chicago Tommy was in seat four and Dancing Girl was in seat five, looking beautiful as usual. Cabana Boy’s only concern was that Way-To-Go Walt had announced earlier in the morning that he had, just yesterday, been fitted with new six-thousand dollar dentures. Cabana Boy had asked Way-To-Go if he was going to be ok with calling out the huts.  Way-To-Go replied by saying “Na roblemo brah, UUT!”

“’K den, potentially memorable.” thought Cabana Boy.

And so with that, Cabana Boy powered up his GoPro, set it to time lapse mode with a 5 second interval and checked to make sure the camera was securely fasten to his chest-mount harness. Good to go, he hollered out, “Paddles up, set, paddle!”

Cabana Boy’s canoe was the first to leave the beach with Jo Mahjong’s hull three boat lengths behind. On the 14th stroke, half way to the harbor entrance, Way-To-Go Walt got the first hut out, loud and clear, and Cabbie’s crew efficiently switched their paddles to the opposite side of the hull like a well-oiled sewing machine.  “Perfect!” thought Cabana boy as he steered the canoe to the sweet spot of the harbor’s opening.

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As they quickly approached the narrow opening, Cabana Boy spotted a strong four foot swell approaching the entrance of the harbor. He immediately realized they would be taking on the swell about the same time Way-To-Go would be calling out the next hut.

Wanting to power through the breaking swell with force, Cabana Boy yelled out “One-up! Power on the blade! No Change! Keep paddling!” But the sound of the waves breaking on the pier 10 yards to the left and on the rocks five yards to the right drowned out Cabbie’s commands.  Just as the bow of the canoe nosed into the oncoming swell, Why-To-Go hollered out “Huuph!”  And, that’s when Cabana Boy saw Why-To-Go’s new choppers eject out of his mouth, sailing into the ocean.

“Uh oh,” thought Cabana Boy, as he and the crew took one more strong stroke to get through the swell and into clean water.

As the canoe passed by where Why-To-Go’s choppers had splashed down, Cabbie turned to see the choppers slowly sinking toward the coral heads below the mouth of the harbor. “Shit,” he thought, “George Washington would never have had this problem.”

With the canoe now safely past the swell zone, Cabana Boy yelled out, “paddles up!” Handing his steering blade to Dancing Girl, he rolled over the side of the canoe, kicking furiously to get down to where Why-To-Go’s choppers had luckily come to rest in a sandy spot between two coral heads.

Although the choppers were only in about eight feet of water, Cabana Boy had not taken a full breath of air before diving in. With the choppers in his grasp, he turned quickly towards the surface and pushed off the sandy bottom, kicking and stroking furiously to get to the surface.

The real problem though was that Cabana Boy could see Jo Mahjong’s hull closing in on the exact spot where he was about to surface. Thankfully, Jo also saw what was about to happen and poked her steering blade in deep on the starboard side of the hull, turning the canoe just enough to the right that when Cabbie popped to the surface he was between the hull and the ama.

Holding Way-To-Go’s dentures above his head, as he watched the Nalu Kai passed by, Cabana Boy gleefully called out, “Got ‘em! Epic!”

Later that afternoon, drinking a Baja Fog, as Cabana Boy reviewed the footage from his GoPro, the one and only frame worth a damn was the golden paddle that had nearly missed his skull before he had surfaced alongside the Nalu Kai.

Epic indeed!

Also posted in Hawaii, Outrigger Canoes

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Also posted in Birds, Hawaii, Photography by Douglas Walch

Abstract Plate #4

Abstract Plate #4“I have recently awakened to an interest in abstract art (from realism). This new art interest has stemmed from a wish to interpret what I see rather than merely replicate what I see. With this in mind I see abstract art as being very individualistic with a large emotional component. Therefore, to “understand” abstract art is to look for or attempt to understand the artist’s message. I also think it important to be aware of what emotions and thoughts the art evokes in me.” – Anonymous


Also posted in Abstracts, Hawaii, Photography by Douglas Walch

Abstract Plate #3

Abstract Plate #3A while back there was a wonderful cartoon in the New Yorker Magazine where a man and woman were looking at a large abstract painting the man had just finished.  There were buckets of paint on the floor and the artist was covered with paint. The woman says to the man, “More lithium.”

I had to smile recently when I read that “even the most amateurish looking of abstract masterpieces, are, underneath the service, elaborate, master-crafted works of art. The artist has carefully chosen every drop of paint to evoke a certain feeling and express a certain attitude. Often, novice viewers will stroll through a museum filled with abstract art and marvel at what appears to be paint simply splashed thoughtlessly on canvas after canvas.   “Gee, I can do that,” the uninitiated might be heard to mumble under their breath.”

This reminded me of yet another cartoon from the New Yorker Magazine, where two men were standing in front of a very large abstract painting.  One man says to the other, “His spatter is masterful, but his dribbles lack conviction.”

While I know that like black and white photography, abstracts are not for everyone, but in my case I’m refining my dribbles and emphasizing my spatters.

 


Also posted in Hawaii, Photography by Douglas Walch

Breakfast

Brah! Take your time. Breakfast is the most important meal of the day.Breakfast


Also posted in Birds, Hawaii, Photography by Douglas Walch

Captain Hook

Captain HookPeter Pan:  I remember you being a lot bigger.

Captain Hook:  To a ten year-old I’m huge.

 


Also posted in Birds, Hawaii, Photography by Douglas Walch

Scratch Pad

 

_MG_0959 Scratch Pad

A good story has a beginning, a middle and an end.  A good story has a character who changes by conclusion.  A good story has promise, often through drama, to lead somewhere, confirming some truth along the way.  Drama, defined by William Archer is “anticipation mingled with uncertainty.”

With the release of Tropical Exposures I can tell you there has certainly been great anticipation and uncertainty on my behalf.  In the beginning, my assumption was that my initial blog posting was going to be about my photography.  But here I sit, writing about the adventure of it all.

My objective was to create a website that would be easy to maintain, simple in function, attractive in design and provide a vehicle to share my work and corresponding thoughts.  I just wanted to be able to focus on my photography without having to put on my propeller-head hat to get it done.

My first thought was to contract the site development to someone else.  But after getting a few quotes I decided it was more than I wanted to spend.  I thought the maintenance cost was especially painful. So what the heck, I’m a bit of a propeller-head, how hard could it be?

Well, four months later, after taking my old site down, switching my web host, getting a new computer, getting a new monitor (having to return two of them), installing WordPress, installing my “photography theme,” spending a week redesigning and re-sizing my logo to get it to fit the masthead, spending another week figuring out the optimum size for my images taking into account the framing action, spending a month fooling around with the menu system and the categories, researching and installing a bunch of plugins (while still trying to keep things simple), selecting and uploading my quiver of images, taking on the task of creating the content for each of the splash pages and finally releasing the damn thing to the Internet.

And I am not yet finished.  I still need to select, figure out and install a SEO plugin (Search Engine Optimization) and a good backup plugin.  I’m also toying with the idea of adding a Twitter, RSS and Face Book component, not to mention some sort of PayPal wizard so people can order prints.

But, as they say, “Rome was not built in a day” and I would like to get back to my photography.

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Through all this, I keep thinking about a statement I read somewhere mentioning that you don’t have to be a rocket scientist to create a WordPress Blog.  Well, I can tell you that it doesn’t hurt to at least have  propeller-head hat and know how to use Google.

 


Also posted in Hawaii, Photography by Douglas Walch